(Historical Notes: Since this is basically a little cliffhanger page anyway, I just wanna point out that page 80 is basically the halfway point of The Killer Station of Deadly Doom. Seriously. Even after all this, we’re only just now[…]↓ Read the rest of this entry…
The Killer Station of Deadly Doom
(Historical Notes: There’s been a pretty sizable Real Life break in my re-posting of these comics, so I can’t remember if I’ve said this before, but one of my biggest regrets about how deliberately rough the art in Killer Station[…]↓ Read the rest of this entry…
(Historical Notes: Like so many things in life, being genre savvy only in retrospect doesn’t count.)
(Historical Notes: Full sincerity moment here, I legit feel really bad for Mooney every time I look at this page. I don’t even care what a demonstrable psycho the kid is, that first panel’s just sad.)
(Historical Notes: I was tempted to make a crack on the previous page about this being one of the few genuine moments of awesomeness Ichabod’s ever had. I couldn’t bring myself to do it, though, cos I knew it was[…]↓ Read the rest of this entry…
(Historical Notes: I remember making a conscious point to not skimp on the background details in Mooney’s quarters, specifically so that no one would ask where he got a weapon from. I still don’t think it was enough. He should[…]↓ Read the rest of this entry…
(Historical Notes: I’ve mentioned elsewhere that back when I was first trying to come up with Far Out There ideas and didn’t understand how important tonal consistency is, I wanted to make a lot more hard turns into spooky horror[…]↓ Read the rest of this entry…
(Historical Notes: I really like the way IO’s slip into crazy robot mode is basically just his proper programing continuing to assert itself when it’s not supposed to. That’s a lot more satisfying and believable than just immediately going “KILL[…]↓ Read the rest of this entry…