(Historical Notes: Okay, there’s one specific relationship in this whole arc that’s obviously meant to be the heartwarming one, but I forgot how wholesome Mooney’s humanizing of IO was. It ensures that… certain things pack more of a punch than[…]↓ Read the rest of this entry…
(Historical Notes: Holy cow, I actually had to create a new “wall of text” tag for this page. Have we really gone this long on the Incentives without a page that deserved it? Dang, Voting Incentives really ARE a different[…]↓ Read the rest of this entry…
(Historical Notes: Now, I complained about the rough art earlier, but let’s be honest here. Even if I’d spent more time working on these comics, most of these weapons still would have turned out to be sloppy messes.)
(Historical Notes: I think I must have had one of those rubber suction cup balls on hand when I drew this.)
(Historical Notes: One of my low key favorite things about this series is how, for once, the flurry of world building random references actually DOES pay off in a direct, meaningful way. See? Sometimes it really DOES do more than[…]↓ Read the rest of this entry…
(Historical Notes: Okay, as much as I love having the ability to put tags on these pages, it DOES make for an awkward string of spoilers in these early pages. Also… was there supposed to be text on those signs? […]↓ Read the rest of this entry…
(Historical Notes: I’m pretty sure I’ve already made this joke, but I think the main reason Ichabod finally called Cap’n Crosby and chartered a ship was because his book collection got too big to drag around without leaving in its[…]↓ Read the rest of this entry…
(Historical Notes: Ichabod’s design here was an early attempt to establish an official Nitpicker “uniform” that Ichabod didn’t bother wearing anymore, thus making it more obvious when a flashback was in “the past.” Of course, then I went and drew[…]↓ Read the rest of this entry…
(Historical Notes: For a panel that was specifically trying to make the looming robot seem big and imposing, my epic failure at foreshortening sure does make it look really lanky and thin. Whoops.)
(Historical Notes: It probably goes without saying, but the one consistent flaw with The Killer Station of Deadly Doom is how sloppy the art is. Like even for 2012-era Far Out There, this is especially sloppy. It’s totally justifiable, what[…]↓ Read the rest of this entry…